Product 04 — Ads
Every channel wants a different crop and a different day. Ads cuts the approved frame into all of them and queues each one where it runs — so nobody is re-cropping a four-by-five into a nine-by-sixteen at eleven at night before a launch.
Nine formats cut from one frame you already signed off
Drawn, not screenshotted — the product at the moment that proves the claim.
One approved frame — re-composed for every shape, never cut out of the middle
01 — How a campaign goes out
The cropping, the resizing, the export naming and the scheduling are the four hours nobody talks about in a launch. They are the four hours this removes.
01Pick
Not a fresh render. The frames your team already signed off in Showcase are the only ones that can go into a campaign.
02Cut
A 16:9 is not a 4:5 with the top and bottom sliced off. Each shape is framed around the garment, so the product survives the crop.
03Queue
Connect the accounts once. After that a campaign is a date and a channel, not a folder of exports emailed to whoever is posting that week.
02 — Why it pays
The creative was never the slow part. Producing forty variants of it, naming them correctly and getting them to the right person on the right day was.
03 — The other surfaces
Twenty minutes, your own frames, your own channels. You leave the call with the week already scheduled.